
Service · London
One experienced operator covering an entire event end to end, or a full team when the programme needs it. We size the crew to the event, not the other way round.
01
The solo crew model
Most events do not need a crew of five. They need one person who can shoot, record sound, take photographs and still be in the right room at the right time. That is a specific skill, and it is what we built the solo model around.
It keeps the cost down and it keeps your event quiet. One person moves through a room in a way a three-person crew never can, which matters when the thing you are filming is a conversation.
02
What one operator delivers
nor(DEV):con, two days, one person
/ 01 · SESSIONS
All three tracks recorded across both days, using the venue’s existing AV rather than duplicating it. Camera, presentation feed and audio from the desk.
/ 02 · PHOTOGRAPHY
Speakers, audience, sponsor stands and the corridor conversations, shot across the same two days by the same person.
/ 03 · RECAP
A one to two minute recap carried by what attendees said on camera, cut from footage shot across both days.
/ 04 · THE POINT
Two days, three tracks, photography, a recap and every session recorded, delivered by one person working with the venue’s own AV. That is the ceiling of what solo can do, and it is higher than most people expect.
03
What you get
/ 01
One to two minutes, built on attendee interviews rather than music over crowd shots.
/ 02
Each talk captured with the slides and desk audio, delivered named and ordered by programme.
/ 03
Captioned cuts for social, sized for the platform, because most people watch without sound.
/ 04
A press selection during the event and the full edited gallery afterwards.
/ 05
Short interviews at partner stands, so sponsors have something of their own to publish.
/ 06
Each speaker gets their own segment, which is the cheapest reach an event can buy.
04
When you need more than one
If two or more rooms run at the same time, one person cannot cover both and will always have to drop something. At that point a second operator costs less than the sessions you lose.
One person can do both well on a smaller event. On a busy day, something gives. If both matter equally, split the roles.
An Event Talks Studio build needs a dedicated team. One operator cannot run a two-camera studio and cover the floor at the same time.
05
Recent work
Recent work.
/ CONFERENCE
Two days, three parallel tracks, one operator. Full photography, a recap film and every session recorded using the venue’s existing AV.
CASE STUDY →
/ AWARDS
Bentley Hotel, London. Solo crew, timecode-synced multi-camera stage coverage of the ceremony.
CASE STUDY →
/ CONFERENCE
The Brewery. When the scale needs it we bring a full team: nine conversations, 35 sponsor videos and 160+ assets with three crew.
CASE STUDY →
Awards and ceremonies
Multi-camera stage coverage without multi-camera cost
For awards we run several cameras locked to a shared timecode, then sync them in the edit. You get cuts between angles across the whole ceremony without paying for a gallery and a director on the night. That is how we cover the Industry Eagles Awards at the Bentley Hotel with a solo crew.
In their words
nor(DEV):con
Organising team
Pricing
Solo crew coverage from £2,500 per day
06
Common questions
Can one person really cover a whole conference?
Yes, within limits. At nor(DEV):con one operator covered two days and three parallel tracks, delivering full photography, a recap film and every session recorded.
When do we need more than one?
Once two or more rooms run at the same time, or if you want photography and video at the same standard on a busy day. A studio build also needs a dedicated team.
Do you work with our venue’s AV team?
Yes, and we prefer to. Where a venue already has cameras or a sound desk we plug into it rather than duplicating it, which is what we did at nor(DEV):con.
What do we get afterwards?
A recap film, the session recordings, short vertical clips for social and the photography. Finished content is delivered within seven days.

07
Get in touch